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The cinema of the United States , also known as Hollywood , has had a large effect on the global film industry since the early 20th century. The dominant style of American cinema is classical Hollywood cinema , which developed from to and is still typical of most films made there to this day.

As of [update] , it produced the second-largest number of films of any single-language national cinema , after China, with more than English-language films released on average every year. That said, Hollywood has also been considered a transnational cinema , [7] and has produced multiple language versions of some titles, often in Spanish or French.

Hollywood is considered to be the oldest film industry, in the sense of being the place where the earliest film studios and production companies emerged. It is also the birthplace of various genres of cinema—among them comedy , drama , action , the musical , romance , horror , science fiction , and the war epic —and has set the example for other national film industries.

In , Eadweard Muybridge demonstrated the power of photography to capture motion. In , the world’s first commercial motion-picture exhibition was given in New York City , using Thomas Edison ‘s kinetoscope.

In the following decades, production of silent film greatly expanded, studios formed and migrated to California, and films and the stories they told became much longer. The United States produced the world’s first sync-sound musical film , The Jazz Singer , in , [8] and was at the forefront of sound-film development in the following decades. Since the early 20th century, the U. Director D. Griffith was central to the development of a film grammar. Orson Welles ‘s Citizen Kane is frequently cited in critics’ polls as the greatest film of all time.

The major film studios of Hollywood are the primary source of the most commercially successful and most ticket selling movies in the world. Into the 21st century, American film studios collectively generate several hundred movies every year, making the United States one of the most prolific producers of films in the world and a leading pioneer in motion picture engineering and technology.

The first recorded instance of photographs capturing and reproducing motion was a series of photographs of a running horse by Eadweard Muybridge , which he took in Palo Alto, California , using a set of still cameras placed in a row. Muybridge’s accomplishment led inventors everywhere to attempt to make similar devices.

In the United States, Thomas Edison was among the first to produce such a device, the kinetoscope. The industry got its start at the end of the 19th century with the construction of Thomas Edison’s ” Black Maria “, the first motion-picture studio in West Orange, New Jersey.

The cities and towns on the Hudson River and Hudson Palisades offered land at costs considerably less than New York City across the river and benefited greatly as a result of the phenomenal growth of the film industry at the turn of the 20th century. The industry began attracting both capital and an innovative workforce. In , when the Kalem Company began using Fort Lee as a location for filming in the area, other filmmakers quickly followed.

Such notables as Mary Pickford got their start at Biograph Studios. The Edison Studios were located in the Bronx. Chelsea, Manhattan , was also frequently used. Other Eastern cities, most notably Chicago and Cleveland , also served as early centers for film production.

Picture City , Florida , was a planned site for a movie picture production center in the s, but due to the Okeechobee hurricane , the idea collapsed and Picture City returned to its original name of Hobe Sound.

An attempt to establish a film production center in Detroit also proved unsuccessful. The film patents wars of the early 20th century helped facilitate the spread of film companies to other parts of the US, outside New York.

Many filmmakers worked with equipment for which they did not own the rights to use. Therefore, filming in New York could be dangerous as it was close to Edison’s company headquarters, and close to the agents who the company set out to seize cameras.

By , most major film companies had set up production facilities in Southern California near or in Los Angeles because of the region’s favorable year-round weather. The Selig Polyscope Company production of The Count of Monte Cristo directed by Francis Boggs and starring Hobart Bosworth was claimed as the first to have been filmed in Los Angeles , in , with a plaque being unveiled by the city in at Dearden’s flagship store on the corner of Main Street and 7th Street, to mark the filming on the site when it had been a Chinese laundry.

In early , director D. They started filming on a vacant lot near Georgia Street in downtown Los Angeles. While there, the company decided to explore new territories, traveling several miles north to Hollywood, a little village that was friendly and enjoyed the movie company filming there. Griffith then filmed the first movie ever shot in Hollywood, In Old California , a Biograph melodrama about California in the 19th century, when it belonged to Mexico.

Griffith stayed there for months and made several films before returning to New York. California ‘s more hospitable and cost-effective climate led to the eventual shift of virtually all filmmaking to the West Coast by the s. At the time, Thomas Edison owned almost all the patents relevant to motion picture production and movie producers on the East Coast acting independently of Edison’s Motion Picture Patents Company were often sued or enjoined by Edison and his agents while movie makers working on the West Coast could work independently of Edison’s control.

In Los Angeles, the studios and Hollywood grew. Before World War I , films were made in several American cities, but filmmakers tended to gravitate towards southern California as the industry developed. They were attracted by the warm climate and reliable sunlight, which made it possible to film their films outdoors year-round and by the varied scenery that was available.

This caused major financial losses and severe difficulties for small studios, but the industry as a whole more than recovered during the Roaring Twenties. There are several starting points for cinema particularly American cinema , but it was Griffith’s controversial epic The Birth of a Nation that pioneered the worldwide filming vocabulary that still dominates celluloid to this day. In the early 20th century, when the medium was new, many Jewish immigrants found employment in the US film industry.

They were able to make their mark in a brand-new business: the exhibition of short films in storefront theaters called nickelodeons , after their admission price of a nickel five cents. Soon they were the heads of a new kind of enterprise: the movie studio. They also set the stage for the industry’s internationalism; the industry is often accused of Amerocentric provincialism. They joined a homegrown supply of actors—lured west from the New York City stage after the introduction of sound films—to form one of the 20th century’s most remarkable growth industries.

At motion pictures’ height of popularity in the mids, the studios were cranking out a total of about movies a year, seen by an audience of 90 million Americans per week. Sound also became widely used in Hollywood in the late s. A side effect of the “talkies” was that many actors who had made their careers in silent films suddenly found themselves out of work, as they often had bad voices or could not remember their lines.

Meanwhile, in , US politician Will H. In the early times of talkies , American studios found that their sound productions were rejected in foreign-language markets and even among speakers of other dialects of English. The synchronization technology was still too primitive for dubbing. One of the solutions was creating parallel foreign-language versions of Hollywood films.

Around , the American companies [ which? Also, foreign unemployed actors, playwrights, and winners of photogenia contests were chosen and brought to Hollywood, where they shot parallel versions of the English-language films. These parallel versions had a lower budget, were shot at night and were directed by second-line American directors who did not speak the foreign language.

The productions were not very successful in their intended markets, due to the following reasons:. In spite of this, some productions like the Spanish version of Dracula compare favorably with the original.

By the mids, synchronization had advanced enough for dubbing to become usual. Classical Hollywood cinema, or the Golden Age of Hollywood, is defined as a technical and narrative style characteristic of American cinema from to , during which thousands of movies were issued from the Hollywood studios.

The Classical style began to emerge in , was accelerated in after the U. Most Hollywood pictures adhered closely to a formula — Western , Slapstick Comedy , Musical , Animated Cartoon , Biographical Film biographical picture — and the same creative teams often worked on films made by the same studio. De Mille ‘s films were almost all made at Paramount , and director Henry King ‘s films were mostly made for 20th Century Fox. At the same time, one could usually guess which studio made which film, largely because of the actors who appeared in it; MGM , for example, claimed it had contracted “more stars than there are in heaven.

For example, To Have and Have Not is notable not only for the first pairing of actors Humphrey Bogart — and Lauren Bacall — , but because it was written by two future winners of the Nobel Prize in Literature : Ernest Hemingway — , the author of the novel on which the script was nominally based, and William Faulkner — , who worked on the screen adaptation.

Paramount, which acquired Balaban and Katz in , would answer to the success of Warner Bros. Motion picture companies operated under the studio system. The major studios kept thousands of people on salary—actors, producers, directors, writers, stunt men, crafts persons, and technicians. They owned or leased Movie Ranches in rural Southern California for location shooting of westerns and other large-scale genre films, and the major studios owned hundreds of theaters in cities and towns across the nation in film theaters that showed their films and that were always in need of fresh material.

Throughout the s, as well as most of the golden age, MGM dominated the film screen and had the top stars in Hollywood, and they were also credited for creating the Hollywood star system altogether. Another great achievement of US cinema during this era came through Walt Disney’s animation company. Many film historians have remarked upon the many great works of cinema that emerged from this period of highly regimented filmmaking.

One reason this was possible is that, with so many movies being made, not every one had to be a big hit. A studio could gamble on a medium-budget feature with a good script and relatively unknown actors: Citizen Kane , directed by Orson Welles — and often regarded as the greatest film of all time , fits this description.

In other cases, strong-willed directors like Howard Hawks — , Alfred Hitchcock — , and Frank Capra — battled the studios in order to achieve their artistic visions. The apogee of the studio system may have been the year , which saw the release of such classics as The Wizard of Oz , Gone with the Wind , Stagecoach , Mr.

The studio system and the Golden Age of Hollywood succumbed to two forces that developed in the late s:. In , Walt Disney’s Snow White and the Seven Dwarfs was released during a run of lackluster films from the major studios, and quickly became the highest grossing film released to that point.

Embarrassingly for the studios, it was an independently produced animated film that did not feature any studio-employed stars. Assistant Attorney General Thurman Arnold —a noted ” trust buster ” of the Roosevelt administration—took this opportunity to initiate proceedings against the eight largest Hollywood studios in July for violations of the Sherman Antitrust Act.

The “Little Three” Universal Studios , United Artists , and Columbia Pictures , who did not own any theaters, refused to participate in the consent decree. The Big Five studios did not meet the requirements of the Consent of Decree during WWII, without major consequence, but after the war ended they joined Paramount as defendants in the Hollywood antitrust case, as did the Little Three studios.

The Supreme Court eventually ruled that the major studios ownership of theaters and film distribution was a violation of the Sherman Antitrust Act. As a result, the studios began to release actors and technical staff from their contracts with the studios. This changed the paradigm of film making by the major Hollywood studios, as each could have an entirely different cast and creative team. Certain movie people, such as Cecil B.

DeMille , either remained contract artists until the end of their careers or used the same creative teams on their films so that a DeMille film still looked like one whether it was made in or Post-classical cinema is the changing methods of storytelling in the New Hollywood. It has been argued that new approaches to drama and characterization played upon audience expectations acquired in the classical period: chronology may be scrambled, storylines may feature ” twist endings “, and lines between the antagonist and protagonist may be blurred.

The roots of post-classical storytelling may be seen in film noir , in Rebel Without a Cause , and in Hitchcock’s storyline-shattering Psycho. The New Hollywood is the emergence of a new generation of film school-trained directors who had absorbed the techniques developed in Europe in the s as a result of the French New Wave after the American Revolution; the film Bonnie and Clyde marked the beginning of American cinema rebounding as well, as a new generation of films would afterwards gain success at the box offices as well.

Inaugurated by the release of Andy Warhol ‘s Blue Movie , the phenomenon of adult erotic films being publicly discussed by celebrities like Johnny Carson and Bob Hope , [48] and taken seriously by critics like Roger Ebert , [49] [50] a development referred to, by Ralph Blumenthal of The New York Times , as ” porno chic “, and later known as the Golden Age of Porn , began, for the first time, in modern American culture.

At the height of his fame in the early s, Charles Bronson was the world’s No. While the early New Hollywood films like Bonnie and Clyde and Easy Rider had been relatively low-budget affairs with amoral heroes and increased sexuality and violence, the enormous success enjoyed by Friedkin with The Exorcist , Spielberg with Jaws , Coppola with The Godfather and Apocalypse Now , Scorsese with Taxi Driver , Kubrick with A Space Odyssey , Polanski with Chinatown , and Lucas with American Graffiti and Star Wars , respectively helped to give rise to the modern ” blockbuster “, and induced studios to focus ever more heavily on trying to produce enormous hits.